Monday, December 27, 2004
In the Future, No More Gay!
Oh, dear God, shut up, Oliver Stone:
["]I'd have gotten the film to 2½ hours and taken out the homosexuality for the U.S. market and for countries sensitive to such things, like Korea or Greece. Kids weren't comfortable with men who hugged, a king who cries and expresses tenderness.["]
Yeah, this explains why everyone hated Philadelphia, because of all the gayness, y'know. Listen to me, Oliver; you made a three-hour movie that was getting buzz that smelled like a dead skunk wrapped in Limburger. You made a movie where the protagonist's father's murder, a shaping part of his childhood, takes place off-screen. You made a war epic with two battles. I don't think homosexuality was your biggest problem.
["]I'd have gotten the film to 2½ hours and taken out the homosexuality for the U.S. market and for countries sensitive to such things, like Korea or Greece. Kids weren't comfortable with men who hugged, a king who cries and expresses tenderness.["]
Yeah, this explains why everyone hated Philadelphia, because of all the gayness, y'know. Listen to me, Oliver; you made a three-hour movie that was getting buzz that smelled like a dead skunk wrapped in Limburger. You made a movie where the protagonist's father's murder, a shaping part of his childhood, takes place off-screen. You made a war epic with two battles. I don't think homosexuality was your biggest problem.
